{"id":367345,"date":"2026-10-31T19:04:54","date_gmt":"2026-10-31T18:04:54","guid":{"rendered":"https:\/\/legrandcontinent.eu\/fr\/?post_type=sunday&#038;p=367345"},"modified":"2026-10-31T19:05:00","modified_gmt":"2026-10-31T18:05:00","slug":"le-mur-de-latelier-dandre-breton","status":"publish","type":"sunday","link":"https:\/\/legrandcontinent.eu\/fr\/dimanches\/le-mur-de-latelier-dandre-breton\/","title":{"rendered":"Le Mur de l\u2019atelier d\u2019Andr\u00e9 Breton"},"content":{"rendered":"\n<p><em>Le Mur de l\u2019atelier d\u2019Andr\u00e9 Breton<\/em> est entr\u00e9 dans les collections du Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou en 2003, par la voie de la dation, en paiement des droits de succession de sa fille Aube Breton-Ell\u00e9ou\u00ebt, n\u00e9e de son union avec Jacqueline Lamba. Il provient de l\u2019appartement o\u00f9 le po\u00e8te a habit\u00e9 de 1922 jusqu\u2019\u00e0 sa mort en 1966, situ\u00e9 au 42, rue Fontaine, \u00e0 Paris, \u00e0 proximit\u00e9 de la place Blanche. Breton a toujours v\u00e9cu \u00e0 cette adresse, hormis la parenth\u00e8se de six ann\u00e9es d\u2019exil, qui, entre&nbsp;1940 et&nbsp;1946, l\u2019a men\u00e9 \u00e0 Marseille, puis \u00e0 New York. Dans l\u2019immeuble parisien, il a occup\u00e9 successivement deux ateliers&#160;: en 1948, il emm\u00e9nage un \u00e9tage plus bas pour accueillir sa fille.<\/p>\n\n\n\n\n\n<figure class=\"wp-block-image wp-block-image-large\"\n    data-shadow=\"false\"\n    data-use-original-file=\"false\">\n    <a\n        data-pswp-src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.28.52.png\"\n        class=\"inline-block gallery-item no-underline \"\n        data-pswp-width=\"1342\"\n        data-pswp-height=\"1064\">\n                                        <picture>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.28.52-330x262.png\"\r\n                media=\"(max-width: 374px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.28.52-690x547.png\"\r\n                media=\"(max-width: 989px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.28.52-1340x1062.png\"\r\n                media=\"(min-width: 990px)\" \/>\r\n                <img decoding=\"async\" src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.28.52-125x99.png\" \/>\r\n        <\/picture>\r\n                            \n            <\/a>\n<\/figure>\n\n\n<p>Principal animateur du mouvement surr\u00e9aliste, Andr\u00e9 Breton \u00e9tait habit\u00e9 par une v\u00e9ritable passion pour la collection. Il commence \u00e0 collectionner lorsqu&rsquo;il devient, en 1920, le conseiller artistique de Jacques Doucet, couturier et m\u00e9c\u00e8ne. Ses visites au mus\u00e9e Gustave Moreau et sa fr\u00e9quentation r\u00e9guli\u00e8re de l\u2019appartement du po\u00e8te Guillaume Apollinaire, dont la collection lui a appris le go\u00fbt de l\u2019h\u00e9t\u00e9roclite et des choses \u00ab&#160;\u00e0 rebrousse-poil&#160;\u00bb.<\/p>\n\n\n\n<p>Ce qui comptait pour lui, c\u2019\u00e9tait avant tout la rencontre fortuite avec un objet. L\u2019anthropologue Claude L\u00e9vi-Strauss, qui l\u2019a accompagn\u00e9 aux march\u00e9s aux puces et dans ses errances \u00e0 travers New York, a peut-\u00eatre le mieux r\u00e9sum\u00e9 l\u2019une des facettes de son g\u00e9nie&#160;: \u00ab&#160;Breton savait tout en mati\u00e8re d\u2019objets, et je ne l\u2019ai jamais vu se tromper.&#160;\u00bb L\u00e9vi-Strauss raconte que c\u2019\u00e9taient en quelque sorte les objets qui \u00e9lisaient Breton. Il y avait en lui une attirance pour l\u2019objet qui le transportait au-dessus de lui-m\u00eame et lui offrait \u00ab&#160;le plus exaltant aper\u00e7u du possible&#160;\u00bb.<\/p>\n\n\n\n\n\n<figure class=\"wp-block-image wp-block-image-large\"\n    data-shadow=\"false\"\n    data-use-original-file=\"false\">\n    <a\n        data-pswp-src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.29.37.png\"\n        class=\"inline-block gallery-item no-underline \"\n        data-pswp-width=\"1010\"\n        data-pswp-height=\"1498\">\n                                        <picture>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.29.37-330x489.png\"\r\n                media=\"(max-width: 374px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.29.37-690x1023.png\"\r\n                media=\"(max-width: 989px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.29.37.png\"\r\n                media=\"(min-width: 990px)\" \/>\r\n                <img decoding=\"async\" src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.29.37-125x185.png\" \/>\r\n        <\/picture>\r\n                            \n            <\/a>\n<\/figure>\n\n\n<p>Peut-on parler de f\u00e9tichisme&#160;? Ce qui me touche, c\u2019est que Breton soit parvenu, avec ses collections, \u00e0 cr\u00e9er une sorte de monde en r\u00e9duction, un microcosme, un \u00ab&#160;Mur Mondes&#160;\u00bb, pour reprendre le beau titre de l\u2019ouvrage dirig\u00e9 par Aur\u00e9lie Verdier en 2024. Cette gigantesque \u00ab&#160;bo\u00eete \u00e0 objets&#160;\u00bb que pr\u00e9sente aujourd\u2019hui le mus\u00e9e r\u00e9v\u00e8le l\u2019incroyable diversit\u00e9 de ce qu\u2019il a r\u00e9uni. Il s\u2019est int\u00e9ress\u00e9 aussi bien aux objets populaires, qu\u2019aux objets trouv\u00e9s, ou aux objets dits \u00ab&#160;primitifs&#160;\u00bb. <\/p>\n\n\n\n<p>\u00c0 c\u00f4t\u00e9 des objets africains dont il s&rsquo;est s\u00e9par\u00e9 au d\u00e9but des ann\u00e9es 1930, une place tr\u00e8s importante est r\u00e9serv\u00e9e aux arts oc\u00e9aniens, pr\u00e9colombiens et nord-am\u00e9ricains. On y trouve \u00e9galement des peintures anonymes achet\u00e9es aux puces et des \u0153uvres de ses amis artistes, dont trois peintures couronnent le mur&nbsp;&#160;: Le Double-Monde de Francis Picabia (1919), Peinture (T\u00eate) de Joan Mir\u00f3 (1927) et Pollen noir de Jean Degottex (1955).<\/p>\n\n\n\n\n\n<figure class=\"wp-block-image wp-block-image-large\"\n    data-shadow=\"false\"\n    data-use-original-file=\"false\">\n    <a\n        data-pswp-src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.30.32.png\"\n        class=\"inline-block gallery-item no-underline \"\n        data-pswp-width=\"404\"\n        data-pswp-height=\"528\">\n                                        <picture>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.30.32-330x431.png\"\r\n                media=\"(max-width: 374px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.30.32.png\"\r\n                media=\"(max-width: 989px)\" \/>\r\n                    <source\r\n                srcset=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.30.32.png\"\r\n                media=\"(min-width: 990px)\" \/>\r\n                <img decoding=\"async\" src=\"https:\/\/legrandcontinent.eu\/fr\/wp-content\/uploads\/sites\/2\/2026\/10\/Capture-decran-2026-10-30-a-20.30.32-125x163.png\" \/>\r\n        <\/picture>\r\n                            \n            <\/a>\n<\/figure>\n\n\n<p>En regardant le mur, on ne peut qu\u2019\u00eatre frapp\u00e9 par l\u2019absence de hi\u00e9rarchie entre les objets et les \u0153uvres, comme s\u2019ils \u00e9taient tous anim\u00e9s d\u2019une m\u00eame puissance po\u00e9tique. La peinture de Mir\u00f3 ou le tableau de Picabia avaient certainement autant d\u2019importance pour Breton qu\u2019une racine trouv\u00e9e ou sa collection de pierres. De leur cohabitation devait na\u00eetre une sorte de r\u00e9v\u00e9lation. Ces objets semblent avoir perdu la trace de leurs origines&nbsp;&#160;; ils paraissent priv\u00e9s de leur histoire ou de leur usage.<\/p>\n\n\n\n<p>D\u00e8s son entr\u00e9e dans les collections du MNAM, <em>Le Mur<\/em> est devenu une \u0153uvre d\u2019art \u00e0 part enti\u00e8re, fig\u00e9e dans le temps. La pr\u00e9sentation qu\u2019en propose aujourd\u2019hui le mus\u00e9e interdit d\u2019imaginer la part de d\u00e9placement que Breton s\u2019autorisait.<\/p>\n\n\n\n<p>La collection d\u2019Andr\u00e9 Breton a inspir\u00e9 de tr\u00e8s nombreux artistes. L\u2019exposition \u00ab&#160;&nbsp;Mus\u00e9e sentimental&#160;\u00bb pr\u00e9sent\u00e9e au mus\u00e9e des Beaux-Arts de Lyon le r\u00e9v\u00e8le assez bien&nbsp;&#160;: nombre des artistes expos\u00e9s (\u00c9tienne-Martin, Max Schoendorff, etc.), qui ont eux-m\u00eames fait l\u2019exp\u00e9rience de la collection, se sont souvenus de celle d\u2019Andr\u00e9 Breton et de cette capacit\u00e9 d\u2019\u00e9merveillement devant le r\u00e9el qui \u00e9tait \u00e0 l\u2019origine de cet extraordinaire assemblage&nbsp;<span class='whitespace-nowrap'><span id='easy-footnote-1-367345' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote note-digits-1'><a href='https:\/\/legrandcontinent.eu\/fr\/dimanches\/le-mur-de-latelier-dandre-breton\/#easy-footnote-bottom-1-367345' title='L\u2019exposition \u00ab&amp;#160;Mus\u00e9e sentimental&amp;#160;\u00bb est pr\u00e9sent\u00e9e au mus\u00e9e des Beaux-Arts de Lyon dans le cadre d\u2019un partenariat avec le Centre Pompidou et en collaboration avec le mus\u00e9e d\u2019Art contemporain de Lyon. \u00c0 partir d\u2019\u0153uvres majeures des trois mus\u00e9es, elle explore la pratique de la collection chez les artistes des XXe et XXIe si\u00e8cles. L\u2019exposition est visible jusqu\u2019au 14 mars 2027 et le Mur Breton jusqu\u2019au 23 mai 2027.'><sup>1<\/sup><\/a><\/span><\/span>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dans son atelier de la rue Fontaine, Andr\u00e9 Breton avait r\u00e9uni des objets que rien ne destinait \u00e0 se rencontrer. L&rsquo;histoire d&rsquo;une sc\u00e8ne sans m\u00e9taphore<\/p>\n","protected":false},"featured_media":367544,"comment_status":"closed","ping_status":"closed","template":"templates\/sunday-art.php","meta":{"_acf_changed":true,"_trash_the_other_posts":false,"_yoast_wpseo_estimated-reading-time-minutes":4,"_lgc_tts_voice":"","_lgc_tts_publish":false,"_lgc_tts_history_item_id":"","_lgc_tts_generated_at":"","_lgc_tts_status":"","_lgc_tts_error":"","footnotes":""},"categories":[],"staff":[5235],"editorial_format":[4918],"week":[5236],"geo":[],"class_list":["post-367345","sunday","type-sunday","status-publish","hentry","staff-sylvie-ramond","editorial_format-treize-minutes"],"acf":{"_thumbnail_id":367544,"excerpt":"Dans son atelier de la rue Fontaine, Andr\u00e9 Breton avait r\u00e9uni des objets que rien ne destinait \u00e0 se rencontrer. L'histoire d'une sc\u00e8ne sans m\u00e9taphore","display_date":"","new_abstract":true},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Le Mur de l\u2019atelier d\u2019Andr\u00e9 Breton | Le Grand Continent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/legrandcontinent.eu\/fr\/dimanches\/le-mur-de-latelier-dandre-breton\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Mur de l\u2019atelier d\u2019Andr\u00e9 Breton | Le Grand Continent\" \/>\n<meta property=\"og:description\" content=\"Dans son atelier de la rue Fontaine, Andr\u00e9 Breton avait r\u00e9uni des objets que rien ne destinait \u00e0 se rencontrer. 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